The Dark Half

The Dark Half [DVD] [1994]
Directed by George A. Romero

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Editorial Reviews

Amazon.co.uk Review
Although it lacks the creepy subtleties of Stephen King's celebrated novel, George Romero's underrated adaptation of The Dark Half is among the best films based on King's fiction, with Romero taking care to honour the central theme while serving up some gruesome gore in the film's much-criticised finale. Inspired by King's own admission that he wrote several novels under the pseudonym Richard Bachman, The Dark Half explores the duality of a writer's impulse, ranging from literary respectability to the viscerally cathartic thrills of exploitative pulp fiction.

Author and teacher Thad Beaumont (Timothy Hutton) finds himself torn between those extremes when he "kills" his profitable alter ego, George Stark (the bestselling dark half to Thad's light), who then assumes evil, autonomous form (again played by Hutton) to defend lethally his role in Thad's creative endeavours. Forced to wrestle with this evil manifestation of his own unformed twin, Thad must fight to protect his wife (Amy Madigan), their twin babies and himself. While Romero skilfully develops the twin/duality theme to explore the writer's dilemma, Hutton is outstanding in his dual roles, playing Stark (in subtly fiendish makeup) as a redneck rebel with a knack for slashing throats. Julie Harris adds class in a supporting role, and horror fans will relish Romero's climactic showdown, in which swarms of sparrows seal Stark's fate. It favours a pulp sensibility with clunky exposition to explain Stark's existence, but The Dark Half is a laudable effort from everyone involved. --Jeff Shannon, Amazon.com

Special Features
1.85 Wide Screen
16:9 Anamorphic Wide Screen
DVD 9
English\German
English
Region 2
Original Theatrical Trailer
Interactive Menu Screens
Chapter Selections
Danish\English\Norwegian\Swedish

Synopsis
Thad Beaumont (Timothy Hutton) is a happily married family man with a successfully two-faced career as a writer. On the one hand, he publishes respected but poorly-selling scholarly works under his own name. It is under the name George Stark, however, that he sells millions of books with his signature strain of extremely violent action novels. When Thad makes the decision to write only under his own name, he stages a PR-friendly burial for his pen name which receives prominent media coverage. After this event, it's not long before townspeople somehow connected to Thad start turning up dead, with all clues pointing to the unassuming author. Is there a second party trying to frame Thad

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